The Narcissism, is a continuous negation of its I-real one, that is replaced by I-idealizado and who the person tries to maintain as you maintain to its own subsistence. Under most conditions Dropbox would agree. The image has been prefabricated to hide the fear to recognize its true identity, avoiding its confrontation. The theater one nevertheless, the image is presented/displayed like being able of attraction towards its public. Don Brownstein: the source for more info. Its coldness must to the lack of life that transmits the personages and to the people observe who it, but that el/ella needs for each one of the interpretations. Its Narcissism, more than an involution of the image and fear to recognize its true reality, goes directed to the theater representation. Its coldness has blocked the feelings and disguised to the world that revive in its scene of continued way, with theater sense, fact that stops el/ella the life represents. The manipulation of the things that compose their surroundings, the disposition for the direction and the scene would take, it to conform and to arrange you rule noticeable on the basis of this direction and sometimes by the ignorance and blockade that this represents, to car to direct it, not being totally consequent to the damage and pain the other people’s feelings.
If I can harness what desire, the public, my public, will know of my work and representation. I must, I am forced to idealizar and to harness everything what is close and subject. His idealizado I must at any moment be maintained and be protected. In my scene, my work, does not fit weaknesses, nor another answer different from which I need, from the first moment that gives to beginning a new action. These people are seen in society like very special, of satately air, decided, majestic and distinguished, truly are weak, mainly the hour to cover their material needs, of which they are very employees, to give color to a body, which they are themselves subject and catched.
Its soul is emparedada and its empty spirit. They are enslaved of this influence, the feelings have been blocked and replaced by the scene in its theater interpretation, theater of the life. If they do not realize in time, its existence will be lead and damaged by that way of representation and the true feelings towards itself and rest of its resemblances, will not be considered, if not denied. The paradox of all this is, that their image and representation can be damaged at many moments of the life and to take total brings back to consciousness of it, being able to arrive at a state so, in that the personages who form their public not they see recognized by the own actor and it takes to this a declivity and like all representation, that loses interest, is annulled, dead and seriously damaged when not being seen like so by the interlocutors. It is necessary that it is noticed in time and it is rescued the soul that remains hidden and it is included/understood in time that the real image and lives is that one that accepts such is and is to the service of itself and the rest of his resemblances.