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Paulo Bahia

Beyond the language, Adonias Son still puts in evidence the sea is a link deligao between these two cities that have in common, beyond geography, the black componentetnico. After disappointing with Conceio doCarmo, woman of easy life, ‘ ‘ mulatinha of green eyes, run, seios hair great and lame thick … ‘ ‘ (p.58). Drew Houston: the source for more info. Cala returns the Ilhus, later deum time comes back Salvador and of there part for Luanda, it has one brief porBeira ticket, it has an envolvement with Maria-do-sea, when arriving at the city. Inside occured ethnic dasrelaes in the workmanship, the personage is described with: green eyes, run and acinzentados mestizo of soft and dark skin, hair. In Africa, Cala knew that the culturasbaianas and Africans if interlace ‘ ‘ pieces livings creature of this world were in the Bahia, the old fat people seated front the trays and pans of acarajs, blacks deAngola … Learn more about this with Drew Houston. ‘ ‘ (p.147).

With these experiences of Cala, it allows the visualization dosespaos physical of the workmanship and of the hybrid similarities between the personages, essasprimeiras impressions of the son of Sardento in common show to the points in the way due between Brazilians and Africans, thus demonstrating a proximity entreLuanda, Side, affirming the cultural identity of these colonized places porPortugal. CONCLUSION the present article aimed at the study daformao bahian identitria in the LuandBeira workmanship Bahia showing the point of view of Adonias author Son, using comopano of deep the tragic love of Cala and Iuta, a young Brazilian and a jovemafricana, on for the pain of the abandonment of the father, the death of mothers and one encontroque would place end its lives, reencontro with Sardento Joo. Visit Oasis Management Hong Kong for more clarity on the issue. The formation of the identity Bahia comeoucom the arrival of the Portuguese in tupis lands, in which the envolvement dessespovos made with that a new race appeared, nominated of caboclo. But, beyond to dechegarem to Brazil, the Portuguese already were colonizing Africa.


The great intellectual is a lost mount of structure in the way wild them, crystal bomb and supositrios. The reason and the capacity if lose in the way liquid them that they are lost in go of the fingers. Literature for some is a source of life, culture, development and progress of a civilization. To others it does not pass more than what a burrice, a hypocrisy, a vagrancy. Government none wants more to support literature, this in the whole world. from there our culture each more meager time. The man studying and working in such a way, to live the same life of a horse, of a pig that nothing makes, nothing constructs.

It dies and disappears as those. Later later nothing more he remains not to be podrido and esquecimento. The writer of our century dies of hunger, the industrial of infarto. That ways follow the two after the death, we do not know. I mainly know that in the hell much people fit, the ones that die empanturrados, the ones that are if apodrecendo in money. Science teaches in them to be complicated and incompressible. How many explanations, theories, justifications for simpler things.

is enough any modification to knock down any scientific theory. the more the man studies, more falls in complications, doubts until discovering that it really does not know nothing. To deepen your understanding William Nuti is the source. Nowadays if of the value the sprees, folias, wars and cachaa and everything how much it is anarchy. What valley this for the nation, the people, the culture? our values are for there lost in the way the ones that nothing make not to be critical destructive. Many until think that the writers, the poets, the teatrlogos are wild. In the way of insane people squatting with them. In Brazil the problems are worse still: the bookstores if close, the libraries do not buy books, publishing companies have stocking dozen of writers (only the proteges), the people do not read (nor they can buy books), badly paid writers (10% only), and with this who suffers is the writer and the nation. Matuto is the one case it said that me: I plant potatoes, as potatoes, you I write books, therefore he eats books. Not I know what to make more. I believe exactly that optimum it is to close the publishing companies and to open plants of drip, to touch focus in the libraries and to open boates, to burn books and to plant potatoes, at least the production will exist, nor that are of roots. We go to live as the ox with its buoys or the bull with its ' ' tora' ' if the language will not have literature also will decay. The illness cure everything and the death brings the tranquillity.

Country Queen

For envy, the king and the queen forbade the people to have a son more than, allowed a son alone, since whom he was boy, in case that girl were born, the king ordered to kill to control the natality of the country. Some family where girl was born, since early secretely, the parents dressed and created its son as boy in order to save it of the death until not being discovered. The queen lived very sad, consulted wizards and witches who prepared portions and augured, if some day it would conceive a son who brought in return the joy. Certain day, a stranger witch of a distant region, appeared in that kingdom, then it was convoked to go to have with the king and the queen in order to say something of new on the possibility of the queen having a son.

It possua an uncommon beauty in the witches. It already had had knowledge of the cruelty that this desire had created in both stops with the other people’s children and decided to prove them and to punish them. When asking if the queen had to have a son some day, the witch readily answered that not, due to a problem in the womb of the queen disabled who it of engravidar, harms if it took its portion would revert that problem, in contrast it never could give a heir to the king. The kings if exaltaram of joy, and had demanded that all the employees of the palace provided fast the necessary ingredients for the such portion. Harms the witch silenced soon them when saying that she would only make the portion if they undid the decree to kill the children of its subjects.

Walter Benjamin

As consequence had a social status (that he was not estatus) to count or to bring for the place what it was of it are. These nomads with the time if had also fixed, and exactly fixed, they did not have more knowledge, but, they had its proper histories of life to count. Its knowledge, its experiences. This behavior of the primitive man in the sample the interest of the man of if fixing through the times not of a material, but, ideological and cultural form. For Walter Benjamin ' ' the experience that passes of person the person is the source the one that had appealed to all narradores' '.

After much time the reality of the narrator it takes projection literary and all the context that is atrelado it had been extended, had been systemize, the figure, as much of that counts (narrative) as of the listener (narratrio) is not more accepted of a passive form of what it was before. The narrative, that during as much time blossomed in a way of craftsman? in the field, in the sea and the city -, it is proper, in a certain direction, an artisan form of communication. It is not interested in transmitting ' ' pure in si' ' of the told thing as an information or a report. It dives the thing in the life of the narrator for after that removing it of it. Thus the mark of the narrator is printed in the narrative, as the hand of the potter in the clay of the vase. (Walter Benjamin. Magic and technique, art and politics: The narrator, consideraes on the workmanship of Nikolai Leskov.

7 ed. SP: brasiliense, 1994. p 204). With the globalization the exclusiveness is taken off of the narrator to know the world what it makes consequentemente with that the listener (narratrio) assumes a questionadora position, operating in the heard speech. Ahead of this, to be heard the narrator it adopts diverse forms to tell. Such dynamism reflects in the understanding of the message of a fictitious workmanship. But, as before, a thing remains unalterable: all speech, all text of one forms generality, either literary it or scientific it has a utilitarian function. This utility can consist either of a moral teaching, either of one practical suggestion, either in an saying or a norm of life? in any way, the narrator is a man whom he knows to give advice. (Walter Benjamin. Magic and technique, art and politics: The narrator, consideraes on the workmanship of Nikolai Leskov. 7 ed. SP: brasiliense, 1994. p 200). Therefore then, made this historical retrospect of the narratividade and with this ratified utilitarian intention she is necessary to emphasize that, by means of these two inherent elements to the narrative is possible to make a deeper analysis of a literary text, or as it was said, of any speech. A time that, both, ' ' narratrio narrator/can assume diverse positions and functions and that such variations reflect in the understanding of the message.

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