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Spiritual Growth

In the measurement that one is identified with the roll, mission of why we happened through these planes and we led ourselves to take the opportunity to grow spiritually, results will be very positive and when it is called on to start off to us, we know that ours transit was very beneficial present Ten what somebody indicated that As human beings we are compound of several dimensions: physics, mental, social and spiritual. Our spiritual dimension is the axis of our existence and if we do not give him the attention that is deserved we can feel us outside balance. In this article, we have selected some suggestions, advice who other that has waked up bequeath to us and contribute in maintaining our light ignited, of such form, that the shades surround to us. Dale to people more than waits for and hazlo with pleasure. You do not believe in everything what listening, nor you spend everything what you have or you sleep everything what you want. A leading source for info: David Green. Against the discords, it fights clean, you do not offend? It abre your arms to the change, but you do not come off yourself your values. You do not judge to the others by his relatives.

Ten presents/displays the three " R" s": same respect; respect to the others; responsibility by all actions. You do not allow that a small dispute damages a great friendship. When DES tells you that you have committed an error, it takes immediate measures to correct it? It remembers that silence is, sometimes, the best answer. It judges your success in the measurement than you had to resign to obtain it. Sri Ramana Maharshi contributes to us: For a mind that has gained skill in the concentration, the investigation of Itself happens comparativily easy. By the incessant investigation the thoughts are destroyed and It is realised the total Reality in which I am at least no the thought, experience to which it is alluded to as Silence.

Joan Brossa Old

Of pentagonal plant, its perimeter reaches 5.6 km, being the greatest monument of Catalonia and one of the fortified complexes more notables of the world by the set of its outer fortifications. Parochial church of San Pedro, gothic style with unique ship and chapels between the abutments. The head and the bell tower are neogothic additions. For acercarte to the culture and monuments of this beautiful city a good option is to rent an apartment in the Costa Brava. The Museum of the Toy of Catalonia was inaugurated in 1982 in the dependencies of the old Paris Hotel (old family house of Baron de Terradas), in the Boulevard of Figueras. Recent works of rehabilitation and adjustment have allowed to triple the initial space of the Museum, reopened the 12 of December of 1998. The Museum exhibits more than 4,000 pieces: zootropos, cardboard mecanos, teatritos, animal and horses, kitchens, balls, you spin, airplanes, cars, trains, wrists, puppets, apparatuses of magic, games for invidente, disguises, recortables, handle-bars, soldiers, robots, steam engines, ositos, tricycles, patinetes Many of these pieces are accompanied by old photographies of children with its toys, which helps us to locate them chronological and to see as it gambled then.

Some toys had belonged to personages like Ana Maria and Salvador Dali, Federico Garci’a Lorca, Joan Watched, Josep Palau and Fabre, Joan Brossa, Quim Monz, Frederic Amat the Museum has a Center of Documentation and Investigation on the games and the toys, of the Brossa-Frgoli audience and a space to activities outdoors: the roof of the Museum. The visit of the collection can have several readings: nostalgic through toys of our grandparents and grandmothers and the one of observation, with which the history of how is crossed in the same way the scientific and technical advances of every moment have affected the design of the games and the toys, has done that it and they continue it making the artistic events and movements historical. The rooms of the Museum of the Ampurdn present/display an ample chronological fan of the art and the archaeology of our region, from the prehistory to our days, with a special dedication to the Catalan and ampurdanesa painting of centuries XIX and XX. The route begins with a sample of the archaeological findings of the Ampurdn Stop, from the neolithic one to the Romanisation, that includes a collection of personal ornaments, ceramic Greek of black and red and receiving figures of glass. It continues with the medieval and modern time, where they emphasize the capitals of the monastery of San Pedro de Rhodes as well as the work deposits of the Museum of the Prado (Mengs, Mignard, Herrera ). Through works of Pinazo, Sorolla, Nonell, Mart Alsina, Berga and Boix, Houses, Gargallo, Gimeno, Mir, Masriera, Sunyer, Mars, Dunyach and Casanovas, among others, the trajectory of the Catalan art from mid century XIX can be followed until the modernismo and the first vanguards, with works of Mud walls, Pon and Cuixart.

, Comalat, Bonaterra, Llavanera, Eusebi de Puig, Nez, Salvador Dali, ngels finally Holy Torroella, ngel Planells, Joan Massanet, Evarist Valls, Joan Sibecas, Joan Padern, Pujolboira, Llus Roura and Josep Ministral, I enter many others, show the evolution of the ampurdanesa painting through realistic landscape, the surrealismo, the conceptual abstraction and the new figuration to us. The museum also sets out throughout the year several temporary exhibitions. The celebrations of Figueras, calls ” Them Festes of Santa Creu” (Celebrations of Santa Cruz, are celebrated at the beginning of May.

Walter Benjamin

As consequence had a social status (that he was not estatus) to count or to bring for the place what it was of it are. These nomads with the time if had also fixed, and exactly fixed, they did not have more knowledge, but, they had its proper histories of life to count. Its knowledge, its experiences. This behavior of the primitive man in the sample the interest of the man of if fixing through the times not of a material, but, ideological and cultural form. For Walter Benjamin ' ' the experience that passes of person the person is the source the one that had appealed to all narradores' '.

After much time the reality of the narrator it takes projection literary and all the context that is atrelado it had been extended, had been systemize, the figure, as much of that counts (narrative) as of the listener (narratrio) is not more accepted of a passive form of what it was before. The narrative, that during as much time blossomed in a way of craftsman? in the field, in the sea and the city -, it is proper, in a certain direction, an artisan form of communication. It is not interested in transmitting ' ' pure in si' ' of the told thing as an information or a report. It dives the thing in the life of the narrator for after that removing it of it. Thus the mark of the narrator is printed in the narrative, as the hand of the potter in the clay of the vase. (Walter Benjamin. Magic and technique, art and politics: The narrator, consideraes on the workmanship of Nikolai Leskov.

7 ed. SP: brasiliense, 1994. p 204). With the globalization the exclusiveness is taken off of the narrator to know the world what it makes consequentemente with that the listener (narratrio) assumes a questionadora position, operating in the heard speech. Ahead of this, to be heard the narrator it adopts diverse forms to tell. Such dynamism reflects in the understanding of the message of a fictitious workmanship. But, as before, a thing remains unalterable: all speech, all text of one forms generality, either literary it or scientific it has a utilitarian function. This utility can consist either of a moral teaching, either of one practical suggestion, either in an saying or a norm of life? in any way, the narrator is a man whom he knows to give advice. (Walter Benjamin. Magic and technique, art and politics: The narrator, consideraes on the workmanship of Nikolai Leskov. 7 ed. SP: brasiliense, 1994. p 200). Therefore then, made this historical retrospect of the narratividade and with this ratified utilitarian intention she is necessary to emphasize that, by means of these two inherent elements to the narrative is possible to make a deeper analysis of a literary text, or as it was said, of any speech. A time that, both, ' ' narratrio narrator/can assume diverse positions and functions and that such variations reflect in the understanding of the message.

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